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7 Cinematics Produces A Live Cinematic Video Stream of The Avett Brothers
Emmy-award winning production company 7 Cinematics, the foremost producer of live-music broadcasts and cinematic video streams, prove that live-streamed concerts can be profitable. In August 2020, 7 Cinematics collaborated with The Avett Brothers to capture their live performance at the Charlotte Motor Speedway in Charlotte, NC. To ensure viewers’ safety, fans watched from their cars in a packed infield, while remote fans could pay per view the concert online. Demand for both in person and online tickets was so high, that The Avett Brothers and 7 Cinematics added a second show on October 24th. The two sold out shows combined pulled in 3000 cars and roughly 20,000 online pay-per-views.
75 Camera Corps Eyes Track 'I'm a Celebrity... Get Me Out of Here!'
A & O FALCONs Shine on Eurovision
A Band of Clay Paky Sharpys Hit the Right Notes on X Factor Live Tour
A Brief Inquiry into Kinesys for The 1975
Everyone is talking about the incredible live performance and stunning visual and stage design of the recent arena tour by UK rockers The 1975, following the release of their much acclaimed third album A Brief Inquiry into Online Relationships, which has also been their third consecutive number one album, and is the first in their MFC ‘Music for Cars’ cycle.
A Busy January for Euro Media France
A Buzz Around the Clay Paky B-EYE
A charming debut: grandMA2 attends Miss America for the first time
A collection of talents: Afrikaans is Groot calls grandMA2 on stage
A Date with You Me At Six
A double first for Adam Rhodes as he experiences the wonder of L‑ISA
Adam Rhodes has been folk/rock duo Angus and Julia Stone’s Front of House engineer for the past ten years. He is also a long time L‑Acoustics user, favouring the French manufacturer’s K Series systems for his general touring rig. This June, UK and European production supplier for the Stones, Britannia Row Productions, gave Rhodes the opportunity to expand his audio horizons by trying out L‑ISA Hyperreal Sound technology. Not only was he to take on this new experience with little time to learn the L‑ISA system, he was to do it at the notoriously challenging Royal Albert Hall, a venue he had never worked in before. It was, he says, “a revelation”.