Results 166 - 180 from 1542 in „4K / 8K Arising”

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LiveU to Provide 4K HEVC Live Coverage for First Time at the Winter Games

Blackmagic Design Introduces ATEM 4 M/E Broadcast Studio 4K

Blackmagic Design today announced the new ATEM 4 M/E Broadcast Studio 4K, the world’s most advanced high frame rate Ultra HD 2160p60 switcher with 20 inputs, 4 M/Es and a massive 16 next generation ATEM Advanced Chroma Keyers. In addition, the ATEM 4 M/E Broadcast Studio 4K features 2 Ultra HD multi viewers, full 2D DVE, built in SuperSource compositing engines with 4 picture in picture DVEs, full re-synchronization on each input and much more. The ATEM 4 M/E Broadcast Studio 4K is available now for only US$5,995 from Blackmagic Design resellers worldwide.

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Blackmagic Design Introduces ATEM 4 M/E Broadcast Studio 4K

Sony to Begin Shipments of VENICE Full-frame Motion Picture Camera System

Sony’s much-anticipated VENICE, its next-generation CineAlta motion picture camera, begins shipping to customers in February. As previously announced, version 1.0 features in VENICE will include support for Full-Frame 24x36mm recording. Now, continuing its approach of incorporating customer feedback into the camera’s development, Sony is announcing several new capabilities including a “Dual Base ISO” mode. With 15+ stops of exposure latitude, VENICE will support an additional High Base ISO of 2500 utilising the sensor’s unique physical attributes. This takes advantage of Sony's unique sensor for superb low light performance with exceptional dynamic range - from 6 stops over to 9 stops under 18% middle gray.

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Sony to Begin Shipments of VENICE Full-frame Motion Picture Camera System

ARRI Launches Large-Format Camera System

At the BSC Expo in London, ARRI today unveils a complete large-format system that meets and exceeds modern production requirements, delivering unprecedented creative freedom. Based on a large-format 4K version of the ALEXA sensor, the system comprises the ALEXA LF camera, ARRI Signature Prime lenses, LPL lens mount, and PL-to-LPL adapter. It is also compatible with existing lenses, accessories, and workflows.

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ARRI Launches Large-Format Camera System

Blackmagic Design Introduces URSA Broadcast

Blackmagic Design announced Blackmagic URSA Broadcast, a new high end, professional broadcast camera designed for both studio programming and live production. URSA Broadcast works with existing B4 broadcast HD lenses, can be used for both HD and Ultra HD production, features a 4K sensor, extended video dynamic range, traditional external controls and buttons, built in optical ND filters, dual CFast and dual SD card recorders, and much more. Blackmagic URSA Broadcast is available now for only US$3,495 from Blackmagic Design resellers worldwide.

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Blackmagic Design Introduces URSA Broadcast

TNDV Television Acquires Sony HDC-4300 Cameras

Mobile production specialist TNDV: Television has set itself apart from many of its competitors through its “a la carte” approach to each project based on customer requests and technical requirements. Following recent purchases of high-end switching and audio production gear, TNDV has acquired a full complement of Sony HDC-4300 cameras that are immediately available on Exclamation, its flagship 53-foot, double-expando 3G/4K mobile truck.

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TNDV Television Acquires Sony HDC-4300 Cameras

Updated VariCam LT ‘ready for live’

Set to be released at the end of February 2018, the Version 6 firmware upgrade sees the camera gain a new shading mode alongside tally and return video management. Full control of the cameras is also possible from Panasonic’s AK-HRP1000 remote control panel.

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Updated VariCam LT ‘ready for live’

MOG announces full support for 8K and Social Media

MOG Technologies, a worldwide provider of end-to-end solutions for professional media, today announced the release of new versions for both mxfSPEEDRAIL and SKYWATCH platforms. The new versions include the support for innovative formats, codecs and protocols, ensuring high interoperability with social networks.

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MOG announces full support for 8K and Social Media
IMT Vislink's HCAM HEVC 4K Wireless Camera System Goes Live

BBC Studioworks choose Sony’s IP Live Production System

One of three new studios which will sit within a vibrant media-focused site, studio TC1 (10,800 sq ft), will be used by broadcasters and independent production companies to produce content ranging from sitcoms and entertainment shows to large live scale productions.

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BBC Studioworks choose Sony’s IP Live Production System
Ross Enhances Flagship Acuity Production Switcher with 12G Single-link Connectivity

ATP Media and Gearhouse test 4k and 1080p HDR technology at Nitto Finals

  • ATP Media, working with Gearhouse Broadcast successfully tested 4K and 1080p HDR production at the 2017 season ending Nitto ATP Finals, London
  • Gearhouse Broadcast incorporated Broadcast Wireless Systems’ new Sapphire HEVC ultra-low delay 4K camera link enabling true 4K wireless cameras to be inter-cut with cabled cameras for the first time
  • Dolby Atmos was also incorporated into the demonstration at the flagship tennis finale in London
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ATP Media and Gearhouse test 4k and 1080p HDR technology at Nitto Finals

Shanghai Media Tech Upgrades Mobile Production Units with Grass Valley 4K/IP

Shanghai Media Tech runs the full gamut of production activities: pre-production, broadcast, post-production, network operation and maintenance, application development of new media and more. To match its breadth and depth of services, the China-based media company chose Grass Valley, a Belden Brand, to provide a fully comprehensive, total 4K/IP solution for its OB van and EFP systems. Shanghai Media Tech’s mobile production units are equipped for any live program or sports event as Asia’s largest all IP, 4K UHD OB vans.

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Shanghai Media Tech Upgrades Mobile Production Units with Grass Valley 4K/IP

Panasonic Business equips RTS reporters with 90 4K camcorders

Panasonic initially provided RTS with the AJ-PX 270 Micro P2 to test along with models from competing brands, to replace their ageing equipment. The field reporters on the RTS editorial team had been using the same camcorders for six years, so when it came time to replace them three years ago, the network launched its first call for bids.

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Panasonic Business equips RTS reporters with 90 4K camcorders
New Panasonic GH5S and Atomos Ninja Inferno are a dream combination for low light shooting

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