Results 1 - 15 from 244 in „Case studies”
With an unrivalled 62-year history of elite competition, MotoGP is the world’s premier motorcycling championship, comprising a nine-month, 18-round season, in 13 different countries, spanning 4 continents. Dating back to 1949, it is the oldest motorsport World Championship in existence. Since 1992 the commercial rights and the production of the international TV signals are owned by Dorna Sports SL, with the FIM remaining as the sport sanctioning body.
On the other hand they have to be particularly stable and rigid as they are often used with very long lenses. The slightest trace of instability in a camera mount when used at the extreme end of an 80x or 100x lens will look like a major disruption.
Live production isn’t static – it never has been. Workflows and the processes they enable are constantly evolving. With the introduction of UHD-4K, the adoption of IP for the deployment of infrastructures and the roll out of workflows that support new, more immersive consumer-facing formats, outside broadcast facilities are facing more challenges than ever before.
No yacht race comes more extreme than the Volvo Ocean Race – encircling the globe over a course of 45,000 nautical miles, facing waves of over 40m and extremes temperature ranges from -5 to 40°C. The 22m length yachts cross 4 oceans in an event stopping at 12 ports as teams battle it out on racing legs lasting more than 20 days across a global course lasting 9 months. And for the crew, all of this with only a single change of clothing! It is perhaps no surprise that this extreme challenge should become a sporting event made for TV viewing.
Built in a mere ten months and inaugurated in 1898, the Vienna Volksoper is the Austrian capital’s other prestigious opera house. It is what Austrians like to call a “repertory theatre”, i.e. a venue that stages opera, operetta, ballet, and musical comedy productions—around 300 shows each season (September through June).
Construct a flexible and versatile production center and control room at space-constrained corporate headquarters with a new state-of-the-art technology foundation that will seamlessly evolve to meet future video consumption and business requirements
▪ Selenio™ MCP media processors with Uncompressed-over-IP (UCIP) modules
▪ Nexio+® AMP™ media servers
▪ EPIC™ MV multiviewer
▪ Magellan™ SDN Orchestrator control system
For dance music aficionados, Ultra Music Festival and its related events are global hot tickets. Billed as the world’s premier electronic music festival, it attracts elite dance DJs and artists such as Martin Garrix, Hardwell, Avicii, Armin van Buuren, David Guetta, Deadmau5 and Eric Prydz who perform to thousands of people at 18 events across the world, from Croatia to Tokyo.
Since BT Sport launched its Ultra HD service in August 2015, the broadcaster’s custom-built Ultra HD vehicle has been at the heart of its game-changing live productions. Designed and built in close collaboration with OB production partner Timeline Television, the truck – the first of its kind in Europe - has helped BT Sport deliver a range of live sporting events as an immersive cinematic experience to viewers across the UK, from Barclay’s Premiership football, Moto GP to more niche-interest sports such as international championship hockey and Speedway.
Euro 2016 proved the power of live TV, its capacity to bring people together and its emotional impact across generations. Broadcasters throughout Europe have reasons to be proud of the audience figures achieved during the championship. Live sports events such as the Euros are usually enjoyed on TV sets. However, TV is now available everywhere and on every screen, and more and more viewers can watch games on tablets, smartphones or computer screens – either live or on-demand. The fully audited global figures for the matches will not be known for some time, but broadcasters are already confident that the numbers for the France – Portugal final have surpassed the 299 million viewers worldwide who watched the Spain – Italy final in 2012.