2020 is a special year for China and the world. As the epidemic has caused various levels of competitions to be suspended or postponed to varying degrees, the League of Legends S10 World Championship has become the only world-class event that held in China this year. The success of the event is inseparable from the efforts of our medical workers in the epidemic, and the Shanghai government and the S10 World Championship China team's firm determination and promotion in hosting this event. In this event, the SMT team once again cooperated with the organizer Tengjing Sports and Riot, using the international leading IP remote production technology to provide full remote broadcast technical support.

Fuse Technical Group turned to 13 disguise gx 2c media servers with Designer software and Sockpuppet control features to help deliver a home game feel for teams and fans at home, as the NBA resumed its season. The NBA has set up a “bubble” isolation zone at Walt Disney World near Orlando, Florida to enable professional basketball to resume in the US, while keeping players safe. Although spectators were not permitted in the stands at ESPN’s Wide World of Sports Complex where the games were held, fans have been able to watch televised basketball once again.

ChyronHego today announced that its Coach Paint video analysis software is being used by the NBA’s Atlanta Hawks to enhance clips in the team’s video library, illustrating terminology for players and visually reinforcing coaching points. Displayed throughout the Hawks’ training facilities at the Emory Sports Medicine Complex and available on tablets for individual review, the painted clips give players and coaches a convenient and engaging way to learn or review critical plays, offensive and defensive strategies, and player positioning.

The 29^th series of the popular TV dance competition “Dancing With The Stars” (DWTS) returned to ABC this month with new host Tyra Banks and 178 x Robe MegaPointes on the lighting plot as part of lighting designer Tom Sutherland’s precision-crafted epic look for the first series performed without a live audience!  Tom’s company DX7 Design was initially asked to develop lighting for the 2019 season by executive producer Andrew Llinares. He, Tom, and director Phil Heyes – who has been on DWTS USA for 5 years – have also all previously worked together including a while back on X-Factor in the UK.

Dejero is providing Asia’s leading media and technology services company, Ideal Systems and its live broadcast and production division, ‘Ideal LIVE’, with the robust connectivity required to produce high quality live coverage of major events in the cloud. Renowned for pushing the boundaries of cloud production, Ideal LIVE is currently producing live coverage of multiple and often concurrent matches for the Malaysian Football League (MFL) 2020 season from geographically dispersed stadiums across Malaysia, with Dejero EnGo mobile transmitters at the heart of the production’s connectivity to the cloud. EnGo uses Emmy award-winning Smart Blending Technology, which simultaneously aggregates diverse wired and wireless IP connections from multiple sources to form a virtual ‘network of networks’, enhancing the reliability of connection paths, expanding coverage and delivering greater bandwidth.

When professional basketball resumed in the US during the coronavirus pandemic, the NBA protected its players by establishing a “bubble” isolation zone at Walt Disney World near Orlando, Florida. Although the general public was not permitted in the stands at ESPN’s Wide World of Sports Complex where the games were held, fans were glad to be able to watch the season’s televised final games and the playoffs once again.Fuse Technical Group, which supplied all the court video systems, provided four programmers with an arsenal of grandMA hardware to play back and trigger various assets and effects during the games: 5 x grandMA3 full-size units with 1 x MA NPU (Network Processing Unit) plus 2 x grandMA2 full-size and 1 x grandMA2 light consoles, the latter as backup systems and the tech desk. 

LAMA AutoMix is the first intelligent software solution that allows broadcasters to combine multiple audio signals and automatically create a well-balanced mix. Signals from commentators, international sound and video sources are mixed in real-time into a single output that meets industry standard levels.

Last weekend, the MEDIAPRO Group produced 119 football matches spread over 11 countries around the world, providing logistical coverage and a major technical challenge, being the first and only production company in the world to do so. For this, MEDIAPRO deployed more than 3,500 professionals and 70 Outside Broadcast units, with backing from the technical support of Overon, at football stadiums to broadcast the signals and face the production challenge.

Thoroughbred Racing Productions (TRP), a leading provider of production services for the Australian thoroughbred horse racing industry, has migrated its communications and signal routing infrastructure to Riedel Communications’ Artist digital matrix intercom, Bolero wireless intercom, and MediorNet real-time network. The centerpiece of the Riedel installation is TRP’s largest OB vehicle, HDOB1, which has undergone a modernization to Bolero from its previous two-way radio intercom system.

In mid-August, Matchroom Boxing and sports streaming service DAZN placed a boxing ring in the middle of the street in downtown Tulsa for a night of fighting action that gave a whole new meaning to street fighting. Omni Lighting in Tulsa was called on to light the event for co-producers Matchroom and DAZN and chose to support the action using an adaptable rig of Elation lights. Holden Productions promoted the event locally.

multiCAM systems is helping France Télévisions deliver high-quality video coverage of the 2020 French Open, taking place at Stade Roland Garros in Paris, Sept. 27–Oct. 11.
Originally slated for May 24–June 7, organizers pushed the event back to October due to the ongoing COVID-19 health crisis. Besides being an unusual year for the athletes as well as for the few — distanced — spectators in the crowd, the 124th edition has reserved a host of memorable moments.

North America’s National Hockey League (NHL) spectacularly returned to play – without live audiences but with massive enthusiasm, determination and impressive TV and online followings – for the 2020 Stanley Cup playoff series which had been suspended in April during the Coronavirus pandemic. Lighting equipment was supplied by Solotech and included over 200 Robe moving lights – a mix of Pointes, Spiiders and Tarrantulas used by lighting designer Tom Kenny.

For four-wheel motorsports fans in Malaysia, Malaysian National Independence Day signals the start of the local racing season as drivers rev up their engines to compete in the annual Merdeka Race at the Sepang International Circuit. Though circumstances prevented spectators from cheering on their favorite drivers in the stands this past August, the event organizers developed a plan to ensure no one would miss out on the high-stakes action. Enlisting the help of TWMR Productions and Blonde Robot, they produced and delivered comprehensive coverage of the two-day event via local satellite TV channel Astro Arena, as well as a Facebook Live stream, which was powered by an AJA HELO H.264 streaming, encoding and recording device. The event drew in more than 100,000 viewers.

Nikon Inc. recently partnered with professional baseball team the Boston Red Sox to install a state-of-the-art Robotic Pod camera system throughout iconic Fenway Park to capture action-packed still images and full HD video. In the era of social distancing and COVID-19 related constraints, the remote system from automated capture experts MRMC, a Nikon group company, is the solution that minimizes risk and offers operators and photographers a safe way to remotely control cameras to capture amazing content -- with the added benefit of more creative options than ever before.

Virtual Eye is the sports division of New Zealand-based Animation Research, LTD, which is one of Australasia’s leading 3D computer graphics production houses. For more than 25 years, Emmy® Award-winning Virtual Eye has specialized in 3D TV graphics that revolutionize the way fans watch high-profile sports, and has delivered those experiences on multiple platforms for events such as the Ryder Cup, The The Open Championship (The British Open), the US Open, the America’s Cup, Formula 1, The Olympics, World Rally, Red Bull Freeride Tour, The Ashes, and both the PGA and European golf tours.